SONS OF CONFEDERATE VETERANS       

N. B Forrest Camp #3  Chattanooga, Tennessee

N. B. Forrest

Forrest Battle Flag '61-'63

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Battle Flag '64 -'65

 

 

 

THE YEAR OF DIXIE

A reprint from the Jan-Feb 2009 issue of the Confederate Veteran magazine

 

Compatriots,

 

There are a wide variety of sights and sounds that one could immediately associate with the South or being Southern,  Nothing proclaims the heritage and honor of the South like the sight of our sacred banner floating on a warm Southern breeze. It is a scene that makes the heart swell, the blood run faster and it brings forth a cheer from deep inside us.

 

Likewise, no sound can engender deep emotion, pride and strengthen our bonds like the strains of Dixie! Whether its detractors like it or not, no other tune speaks to the honorable history of the South, and indeed is ingrained in the American psyche as the distinctive tune of Dixie.

 

Our feelings toward this song are many-facet­ed, depending on its presentation. It, at times, can cause us to feel deep emotion, and at other times jubilation. I will recall for you three occasions when hearing Dixie left a particular impression on me, and I am sure many, if not most of you, will be able to relate.

 

First, I took part in the 135th reenactment of the Battle of Gettysburg, which by all accounts was the largest reenactment ever staged. It was estimated that more than 25,000 men were in uniform on the field for those three days. It was a long trip for our unit, traveling from Louisiana. We had marched, fought, sweated and slept on the ground for three days and nights. This incredible experience culmi­nated on Sunday afternoon with a full-scale stag­ing of Pickett's Charge. We lined up in the camp area and made our march down the side of the field toward where we would gather in the tree line that was the staging ground for the assault. It was a sight to behold! A line of gray with gleaming rifle barrels and flags as far as the eye could see in each direction. As we went over the top of a hill there stood a full Confederate military brass band. Just as we were passing them, simultaneously the wind kicked up, setting our Battle Flags out from their staffs, and the band blasted forth with a spir­ited rendition of Dixie. The emotions and élan that came over the men were indescribable. You could almost feel that the men in the column would have continued on to the front even if we were suddenly with our ancestors and the moment was real.

 

Second - In the little community of Keatchie, LA, there is a cemetery where about 100 unknown Confederates are buried, men who died as a result of the Battle of Mansfield in April of 1864. For sev­eral years local camps have worked to clean, restore and upgrade the property. Through the efforts of these Compatriots, more than 90 headstones were acquired from the Veterans Administration and a new, large flagpole was installed, after which a dedication ceremony was held and well-done. At one point in the proceeding, those of us in uniform knelt by the graves of the unknown heroes while all sang a slow a capella version of Dixie.

I am not ashamed to admit that this brought tears to my eyes.

 

Third is an event as memorable as the first two, but for completely different reasons. I had the hon­or of commanding a color guard at a rather large and elaborate marker-dedication about ten years ago.

 

Previously unknown Confederate graves had been found near a battle site, and a monument was erected to denote who they were and how they came to rest there. This event was very well-attend­ed. There were participants from many organizations and from many parts of the country. The service of a renowned performer from a nearby opera company was arranged to sing the various songs on the program. The cannon and rifles were fired and the Colors were presented. Then it was time to sing Dixie. The lady approached the microphone and then hesitantly backed away. She meekly informed those present that she did not know the words! Of course, we were aghast, but for two reasons. The participants were aghast not only because she did not know Dixie, but also the sad fact that the organizers had failed to ensure this detail.

This should never happen.

I would tend to believe that most Compatriots know the ge­nius of the song. Daniel D. Emmett wrote and first performed it in April of 1859. This makes 2009 the sesquicentennial, or 150th anniversary, of our beloved anthem. At the October 2008 General Executive Council meeting the GEC passed a resolution naming 2009 as the Year of DIXIE! We should, of course, spend this year doing all the work the charge requires us do to, but we need to put a special emphasis on this most Southern of Songs that is just as much under attack as our beloved Confederate Battle Flag.

Here are a few suggestions on how to promote Dixie. First and foremost, we must always sing it. At every event, meeting, public program or any other type of gathering we have to make sure it is sung. When we have booths or living histories set up for the public, we need to include information and materials on Dixie to give the public.

 

We should have Dixie playing as background music at every opportunity. If your camp is doing a program for a school, Scout group or at any venue, teach them Dixie!

 

By the time this article reaches you we will have a brochure for this purpose posted on the SCV Web site for you to download and use. Throughout the Year of DIXIE I look forward to hearing about your successes in this regard throughout the Year of Dixie. As I travel around the Confederation, I shall look forward to standing with you as we sing this beautiful manifestation of all we hold dear.

 

Stand for DIXIE!

Charles E. McMichael

Commander-in-Chief



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